Review: Wil Anderson (Perth Comedy Festival)
Anderson has decided to use his platform to voice his opinion on what he believes is important, and he accomplishes this without sacrificing one laugh. Monty Lloyd reviews.
Review: Comic Tragics: The Exploding Language of Contemporary Comic Art (Art Gallery of Western Australia)
An underappreciated, vital medium, comics have slipped under the radar for most Australians who appreciate art. This exhibition features the insightful work of nine highly individual, contemporary artists from around…
Review: Joel Creasey (Perth Comedy Festival)
Creasey’s energy was infectious; every word he said was funny and his dialogue was enthralling. Madeline Sarich review.
Review: Akmal Saleh (Perth Comedy Festival)
A regular on a cut of Australian TV shows and active since the '90s, Akmal brought his cheek to the comedy-starved west last week as part of the Perth Comedy…
REVIEW: Cats
Tom Durkin reviews 'Cats the Musical', hot off Lloyd Weber's London West End revival. You jellicle? Delta Goodrem had to look like a pert angelic judge of mediocrity on 'The…
Review: The Riders (West Australian Opera)
Nicholas Monisse reviews WA Opera's stage adaptation of Tim Winton's 'The Riders', and finds it magnificent.
Review: Revealed
"As I read the background for each artist, I learnt of their lives, and the communities and country they were connected to. Some had discovered their art early in life,…
Review: The Little Prince
Upon arriving at the Spare Parts Puppet Theatre, I stood wide-eyed in the foyer, throwing nervous glances at the large, lifeless figurines staring down from above me. I took my…
Review: Bambert’s Book of Lost Stories
Following the company's superb adaptations of 'The Rabbits' and 'The Red Tree', Barking Gecko brings another children's story to the stage with 'Bambert’s Book of Lost Stories'. Gabriella Loo sheds…
Review: Picnic at Hanging Rock (Black Swan State Theatre Company)
Fresh off a Melbourne stage, the production opened at the Malthouse Theatre in March before venturing here. At 90 minutes (no interval), the ambiguous ending to this thriller will have…