Like a baby with a pet anaconda, it was an odd mix and the pedestrian was partnered with the comic and entertaining, some definitely sticking more in the mind than others.
Hosted by Kate Noske, Peter Rose, Lucy Dougan and Dennis Haskell shared their poetry with the audience, proffering beautifully crafted words that were at times alight with humour and at others studded with deep pain. Bryce Newton reviews.
Montefiore began with a frame of reference that would be recognisable to most – 'Game of Thrones'. Yet the families of Westeros are quite benign and pale in comparison next to the Romanovs.
I wanted to talk to Catherine Lacey as I had read her book 'Nobody is Ever Missing' last year and thought it very good and affecting. I feel that it is hard not...
While the subject matter runs the risk of being very technophobic and cliché, it instead has a beautifully constructed plot and gives great insight into human vulnerability in a modern context. Review by Caz Stafford.
Upon entering the dimly lit Ellington Jazz Club, I was met by cool air and an even cooler vibe. The six-piece band were playing a sultry jazz instrumental that ...
Considering Halligan is an established comedic writer I was surprised with how sloppy the show was. It wasn’t just the provincial cultural transgressions that left me unmoved; the whole show was a lukewarm mess.
I appreciated the aesthetic of their glistening, rippling abs and iron thighs as I lounged back and quaffed wine, completely enthralled by their sure footed athleticism in pointe shoes. My body groaned as it imagined attempting the supreme way they moved; supple and utterly elastic. Samuel J. Cox reviews.
Creators Katie-Rose Spence and Hannah Pascoe have devised a wordless show about human connection, using memes and YouTube clips, pictures of Jeff Goldblum, cardboard cut-outs, and most importantly, their own elastic bodies to tell their quirky little narrative. Clare Parker reviews.
Like Bowden's previous creations, 'Wilting in Reverse' throbs with lonely-hearted dream textures, aches over love and loss, and is obsessed with the silly yet sublime fragility of the earth and its silly yet sublime inhabitants. Kate Prendergast reviews.
