Fringe Review: Jumping the Shark Fantastic
It's every reference you've ever heard, each performance or film you've seen or every story you've heard except - get this - turns out you’ve already seen bits of it,…
FRINGE REVIEW: Ecosexual Bathouse
I found myself listening to dirty talk on a phone and sporadicaly screaming out “FUCK CHARLES DARWIN”. Sophie Nixon reviews.
Review: The Nutcracker (WA Ballet)
The culmination of two years of work and costing two million dollars, WAB’s The Nutcracker is an immense labour of love. Samuel J. Cox reviews.
Words with actress and survivor Xan Fraser
"There I was, thinking I was being brave and doing the right thing and answering the judge clearly, thinking that it would make me safe. But it totally worked against…
Review: Project Xan (jedda Productions)
The play tells Xan’s story and in doing so, attempts to answer why this story needs to be told in the first place. Review by Katie McAllister.
Review: The Pearl Fishers (WA Opera)
Robert Kemp’s colourful, textured, exotic, visually rich set and costume design was at the helm of this production. Samuel J. Cox reviews.
Review: The Beat Generation (WAAPA)
Teaming actors with a handful of WAAPA’s jazz musicians, The Beat Generation required an audience open to a new way of viewing theatre and experiencing the Beats in all their…
Review: Memory Bones (WAAPA)
The concept piece explores the notion that the physical structures of the theatre might somehow remember the artists, technicians, critics and audiences that it has borne witness to in 112…
Review: Rent (WAAPA)
This busy, exhausting production about life at the end of the millennium was a winning, powerful choice by WAAPA’s musical theatre team. Samuel j. Cox reviews.