It’s an establishment, an institution with a stubborn voting membership, a penchant for self-aggrandising, and a sucker for tradition. Ryan Suckling review the 2017 Oscar nominations.
The film plays with the idea that disorders, such as the one Kevin has, unlock the brains true potential; that when the mind splits itself it can actually change the entire makeup of the body it possesses. Kelly Dunn reviews.
I think all writers have a weakness for the picturesque. That's good in capturing your reader and putting them in vivid landscapes. But it must be tempered, certainly in the case of non-fiction books, with a search for the truth, which isn't always pretty or grotesque or extreme. Laurent Shervington interviews Mei Fong.
A novel is usually published as YA not necessarily because of its themes or subject matter, or even the age of its protagonists, but because editorial, sales and marketing people think it will sell best if it is labelled as YA. Prema Arasu spoke to Garth Nix ahead of his appearance at the Perth Writers Festival.
Whatever I feel it is definitely not excitement; it is a huge responsibility for every citizen and inhabitant of this place to even witness what it might be turned into. Pema Monaghan spoke to author Marwa al-Sabouni
This is SPAN’s strength; steering clear of didactic moralisation and encouraging communication between the viewers of the exhibition. Karl Frederick Sagrabb reviews.
The synchronised movements of the performers are particularly impressive in this piece above others as their poor timing would not have been easily concealed when thumping on a massive drum. Tyler Morgan reviews.
My sister and I sat at the edge of our bed hearing stories about the Gurus. It’d be a crime for me not to be putting that to use because we come from such a rich background and heritage. Ishita Mathur interviews Amandeep Singh.
