Corrective Retrospective: Junji Ito
Ito’s appeal lies in profound concepts and recurring subject matter. These foundational aspects of his work form a signature style that never fails to sew deep rooted feelings of intrigue…
Pack Up the Moon, Scene 1
Scene 1: One week before their tenth wedding anniversary, Dorothy Wickomden and Monty Lawrence are alone in a country tea garden on the outskirts of Kyoto. Words by Harry Peter…
Cover Up
"I was brave, and glad to be wearing trousers." Pema Monaghan gets dressed.
The Culture Club – A Successful Flop
For what The Culture Club was attempting to do – garner more interest than the Lawrence Wilson typically sees – it was a success. The exhibitions presented were exciting and…
Review: Matilda the Musical
Dahl wrote from the perspective of a child made powerless in a world run by adults. The musical adaption weaves together Tim Minchin’s rhythmic wit with the children’s classic to…
Review: SPAN at the Fremantle Arts Centre
This is SPAN’s strength; steering clear of didactic moralisation and encouraging communication between the viewers of the exhibition. Karl Frederick Sagrabb reviews.
REVIEW: Stuart Bowden “The Beast”
Bowden's beast is a frenetic, dancing absurdity, and the artist himself a consummate storyteller-flanuer. Nick Morlet reviews.
REVIEW: Ballet at the Quarry (WA Ballet)
The synchronised movements of the performers are particularly impressive in this piece above others as their poor timing would not have been easily concealed when thumping on a massive drum.…
Heartaches Better The Heart: Words With Artist Amandeep Singh
My sister and I sat at the edge of our bed hearing stories about the Gurus. It’d be a crime for me not to be putting that to use because…
Fringe Review: Jumping the Shark Fantastic
It's every reference you've ever heard, each performance or film you've seen or every story you've heard except - get this - turns out you’ve already seen bits of it,…