Column Talk I Pelican21 May 2017 The Doric Column came to be seen as an unornamented and dependable figure of American sentimentality, like Atticus Finch or Abraham Lincoln. Harry Peter Sanderson writes. Uncategorised0 Comments189 views
Corrective Retrospective: Maïmouna Guerresi Pelican21 May 2017 Maïmouna Guerresi is an Italian artist who is currently based out of Senegal. She works in video, sculpture, photography and installation. Of all these, photog... Uncategorised0 Comments69 views
Pack Up the Moon, Scene 2 Pelican21 May 2017 Scene 2: Hermann delivers a soliloquy on his calf. Words by Bryce Newton, Art by Clare Moran. Uncategorised0 Comments26 views
Monuments and Memory Pelican13 May 2017 I will never take a selfie at any place that has the words “Murdered Jews” in its name, at least not in such close succession. As to the fact that other people do? Well, I’m not sure how to feel. James Brooks Reflects. Uncategorised0 Comments19 views
Corrective Retrospective: Junji Ito Pelican11 May 2017 Ito’s appeal lies in profound concepts and recurring subject matter. These foundational aspects of his work form a signature style that never fails to sew deep rooted feelings of intrigue and dread. Skye Newton writes. Uncategorised0 Comments310 views
Pack Up the Moon, Scene 1 Pelican25 April 2017 Scene 1: One week before their tenth wedding anniversary, Dorothy Wickomden and Monty Lawrence are alone in a country tea garden on the outskirts of Kyoto. Words by Harry Peter Sanderson, Art by Clare Moran Uncategorised0 Comments29 views
Cover Up Pelican6 April 2017 "I was brave, and glad to be wearing trousers." Pema Monaghan gets dressed. Pop CultureUncategorisedVoice0 Comments369 views
The Culture Club – A Successful Flop Pelican30 March 2017 For what The Culture Club was attempting to do – garner more interest than the Lawrence Wilson typically sees – it was a success. The exhibitions presented were exciting and full of vim. Karl Frederick Sagrabb reviews. Uncategorised0 Comments174 views
Review: Matilda the Musical Pelican30 March 2017 Dahl wrote from the perspective of a child made powerless in a world run by adults. The musical adaption weaves together Tim Minchin’s rhythmic wit with the children’s classic to stunning effect. Gabby Loo reviews. Uncategorised0 Comments229 views
Review: SPAN at the Fremantle Arts Centre Pelican14 February 2017 This is SPAN’s strength; steering clear of didactic moralisation and encouraging communication between the viewers of the exhibition. Karl Frederick Sagrabb reviews. Uncategorised0 Comments95 views
