Creators Katie-Rose Spence and Hannah Pascoe have devised a wordless show about human connection, using memes and YouTube clips, pictures of Jeff Goldblum, cardboard cut-outs, and most importantly, their own elastic bodies to tell their quirky little narrative. Clare Parker reviews.
Like Bowden's previous creations, 'Wilting in Reverse' throbs with lonely-hearted dream textures, aches over love and loss, and is obsessed with the silly yet sublime fragility of the earth and its silly yet sublime inhabitants. Kate Prendergast reviews.
Deadpool is a fun movie, and the majority of fans will be pleased with how he’s been adapted to the big screen. I do think that the your reaction to the film will be very much dependent on whether you’re willing to go along with its very silly tone, like I was.
This is Acting probably seemed like a great idea on paper - Sia taking back songs that she’s written for others, and making them her own. But there is absolutely no difference between 80% of this track list, and the track list for 1000 Forms of Fear; proving that this isn’t necessarily acting, but continuing on as normal.
The boys were nubile and sensual, and even I felt conflicted as the 4 Adonis’ savaged the raffle winner with a lap dance (and more). In the words of poetess Nicky M, "it got hotter than a Middle Eastern climate".
The fact that this exhibition strategically begun in January and continues through to February - thus including Australia (Massacre) Day - insinuates the need for some soul-searching. Our murky cultural heritage speaks volumes about national pride.
It runs on a roundabout argument/counter-argument counterpoint, but it’s missing interlocking sections, call-backs, dramatic peaks. What should be a series of poignant sketches sometimes feels like a string of comments on a Guardian article. Zoe Kilbourn reviews.