Review: Threshold
Threshold can be seen as a direct reflection of our contemporary social and political climate, where Australians’ demands for transparency from their government and media outlets is rendered through the…
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Threshold can be seen as a direct reflection of our contemporary social and political climate, where Australians’ demands for transparency from their government and media outlets is rendered through the…
“We are the voices too often unheard, the people too often unseen. But we are here; we are speaking. And through this book, we invite you into our world.”
The best horror films aren’t the ones that throw every jump scare at you, they’re the ones that explore and speak to the deepest, darkest facets of the human condition.…
Based on an article in the New York Times by A.G. Sulzberger, Kodachrome is a movie about death, family, and analog film — and the surprising overlap you can find…
In 2013 Guillermo Del Toro introduced us to the fictional world of Pacific Rim. Based on a manga, the film was meant to be the film that would make giant…
*This review contains mild spoilers* In the thirteen superhero films that have come out since the first Deadpool in 2016, there’s been talks of when “superhero fatigue” will set in.…
It seems appropriate that as a genre, zombies have simply refused to die. Horror trends being run into the ground is nothing new — remember found footage? — but the…
The Blue Room’s latest show, Hold Your Breath (Count to 10), provides an intimate and discomforting exploration into the sometimes wet and often messy world of mental illness. We begin…
Early Man Early Man marks Aardman Animation legend Nick Park’s first foray feature film since 2005’s Wallace and Gromit: Curse of the Were-Rabbit. The film is the story of a…
The University Dramatic Society presents Dom Mckee for MP, a production written and directed by Matthew Nixon, scored by Brock Stannard-Brown & Paris Ceg and choreographed by Noa Gubbay and…