Review: Alita: Battle Angel
Twenty years after James Cameron first became enamoured with the movie’s source material, a manga series created by Yukito Kishiro, Alita: Battle Angel is finally screening in cinemas. Having been…
What’s in the Pod? Ep 12: Perth Festival Lotterywest Edition!
What’s in the Pod: PIAF Lotterywest Film Festival Special w/ Tom Vincent!! This week the boys interview Tom Vincent, the film manager and planner for The Lotterywest Film Festival. He…
What’s in The Pod – Best of 2018 Special!
As 2019 rolls into being the boys can finally look back on 2018 with proper retrospect. They review all the big Summer holiday picks like Aquaman, and Netflix juggernaut Birdbox…
Review: Glass
We all love a comeback story. And there have been few more interesting cases in film than with writer/director M. Night Shyamalan. After exploding onto the scene with The Sixth…
What’s in the Pod – Episode 10: Roma, The Favourite and Listener Questions!
This week Dom and Tom talk Oscar season as it approaches! They discuss the years the Academy got Best Picture wrong (01:05) and review 2018’s Oscar favourites (09:51). They end…
What’s In The Pod Episode 9: Mortal Engines, Mary Queen and Spider-Verse
This week the duo continue their December catch-up reviews with Mortal Engines and Spider-Man: Into the Spider-Verse. They review the upcoming period piece Mary, Queen of Scots and discuss the…
Review: Fahrenheit 11/9
Moore manages to balance the outrageousness of the Trump Presidency with both bleak nihilism and futuristic optimism. In a politically divided America, we have not been short on media consumption…
Review: Boy Erased
Boy Erased feels like a difficult film to talk about. Lucas Hedges stars as Jared, a young gay man who is pulled out of college by his ultra-Christian parents (Russell…
What’s in the Pod? Ep 5 – Halloween Special
It’s Halloween week and while the night may be over, the horror lives on! Join us as we answer the pressing question of which three villains we would take out…
Review: First Man
Not exactly a biopic, nor a comprehensive account of the moon landing; First Man is a personal story about grief as both fuel and a drawback to Neil Armstrong’s professional…