Review: Bring It On (WAAPA)
"At times goofy and a little heavy handed when espousing the lessons learnt along the way, this Broadway-quality spectacle is pure entertainment, and though my expectations were high, this far…
Review: I (Honestly) Love You (Subiaco Theatre Festival)
"With self-referencing, electric writing that busts through the fourth wall with relish, I can only sing the play’s praises and declare its comic genius." Samuel J. Cox reviews.
Review: Melbourne International Comedy Festival Roadshow (His Majesty’s Theatre)
"Even if you think you’re not into this type of humour, I assure you you’ll giggle helplessly when there’s a man on stage by himself - shamelessly and wholeheartedly- re-enacting…
Review: Les Liaisons Dangereuses (WAAPA)
"As usual, WAAPA spares no expensive when investing in their students, empowering ingenious and innovative set design from Nicola Stratman and period costume curated by Kaitlin Brindley." Samuel J. Cox…
Review: Success 2
"Women with wigs and anime masks dance slowly and stiffly pose. A female voice tells us that we might be looking into the womb, into a universe, into a home."…
Review: What’s Love Got To Do With It? (The Blue Room Theatre)
"This well paced and balanced performance will make you laugh, but it also has something important to offer as far as love is concerned, as well as the ethics of…
Interview: Wil Sylvince (The Melbourne International Comedy Festival Roadshow)
"Like a quality, aged bottle of wine, consuming Wil Sylvince’s stand-up is sure to have you feeling very happy and more than a little giggly. I’d recommend enjoying with a…
Review: Angels in America (Black Swan State Theatre Company)
Helmed by Artistic Director Kate Cherry, her legacy piece is the pinnacle of Black Swan State Theatre Company’s 2016 programming. Part One of Tony Kushner’s play 'Millennium Approaches' comes to…
Review: Iolanthe (Gilbert & Sullivan Society)
''From the first note, the WA Gilbert & Sullivan Society drew the audience into the fantastical world of Iolanthe. Fuelled by outstanding operatic voice and Michael Brett’s conduction of the…
Review: Ghost the Musical
It takes a certain amount of chutzpah to adapt the smash-hit you wrote for the silver screen to the stage. However, American screenwriter Bruce Joel Rubin’s reworking of his Academy…