Interview: Words with Chris Isaacs Pelican9 March 2016 With an artistic skillset that runs the whole gamut of theatre-making, Chris Isaacs is a writer, performer, stage manager, lighting designer, puppeteer and composer. The twenty-nine-year-old local is a plot-driven storyteller exploring what it means to be human. Samuel J. Cox interviews Chris Isaacs. Uncategorised1 Comment204 views
1.5 Review: Triple 9 Pelican9 March 2016 You know how sometimes you really want some ice cream, but you don’t want to go nuts on the sugar so you have a glass of milk instead? It’s like that. Sure, milk is fine. I like milk. But you could have had ice cream instead. Yvonne Buresch reviews. Film and Production0 Comments18 views
PIAF Review: The Wild Duck Pelican9 March 2016 Stone’s piece is poignant, exposing both the beauty of tragic theatre and the power of the representational. The Wild Duck is one of those plays that make you reflect on the life you live, and feel giddy at the power of the theatre. Ralph Thompson reviews. Uncategorised0 Comments54 views
PIAF REVIEW: No Guts, No Heart, No Glory Pelican4 March 2016 Drawing upon interviews with real girls and co-devised with the play’s cast, the piece is an innovative, engaging and unique production. Kevin Chiat reviews. Uncategorised0 Comments21 views
Live Review: Cosmo’s Midnight with Kučka and Feki @ Jack Rabbit Slim’s Pelican4 March 2016 For those who came just to see Cosmo’s Midnight (and there were plenty), you’d be entitled to expect some alternative renditions, at least some simple synth looping, and more professionalism. Brayden Keizer reviews. Music0 Comments30 views
FRINGE REVIEW: The War on Food Pelican4 March 2016 I don’t know about you, but whenever I buy groceries I constantly worry about the possibility of a dystopian future where a single company has control over all of our fruit and vegetables. Apparently it also concerns the folks at The Cutting Room Floor, so much so that they took to Paper Mountain on William street to show Fringe-goers a wickedly dark comedy about it: ‘The War on Food’. Caz Stafford reviews. Uncategorised0 Comments23 views
Review: The Life of Pablo Pelican28 February 2016 For most of us, that part-fabricated, all-celebrity iconic soup marinates his entire identity, and unfortunately for The Life of Pablo, any alternative interpretation you could try scooping out of his actual music still stinks of it. Harry Manson reviews. MusicVoice0 Comments19 views
For Your Commiseration: An Antidote to #OscarsSoWhite Pelican27 February 2016 "Let us be clear. The Academy has a diversity problem. The film industry has a diversity crisis." In the run-up to the whitewashed 2016 Oscars, Jaymes Durante writes about the persistent and overwhelming lack of representation within the big-budget film industry, and the (mostly) old white men that keep it that way. Film and Production0 Comments15 views
Fringe World Review: R. Kelly’s Trapped in the Closet with Sam Cribb Pelican25 February 2016 Receiving a personal invitation to view it is like joining a Skull and Bones sundowner: the logistics and lingo might not make a lot of sense, but you know witnessing it firsthand is a privilege. Zoe Kilbourn reviews. Uncategorised0 Comments39 views
The Worldwide Bern: Sanders, Youth Politics and Australia Pelican25 February 2016 It is not uncommon to find Germans, English, and Australians showing their support and sharing their desire for a candidate like Sanders in their own country; a candidate who they feel is truly representative. Politics1 Comment27 views
