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Last Thursday, 2016 sounded a death knell which for countless individuals worldwide, devastated to the point of disbelief. The world is poorer without the supremely talented, sly, shy, god-like human…
Pelican spoke to artist Alice McCullagh about her Cover Art for Edition 2 #Wild.
Tom Durkin reviews 'Cats the Musical', hot off Lloyd Weber's London West End revival. You jellicle? Delta Goodrem had to look like a pert angelic judge of mediocrity on 'The…
Nicholas Monisse reviews WA Opera's stage adaptation of Tim Winton's 'The Riders', and finds it magnificent.
"As I read the background for each artist, I learnt of their lives, and the communities and country they were connected to. Some had discovered their art early in life,…
Local WA fast food outlet Chicken Treat last October launched the enormously successful #chickentweet campaign, which put layer hen Betty to the task of tapping out a five-letter English-language word…
Upon arriving at the Spare Parts Puppet Theatre, I stood wide-eyed in the foyer, throwing nervous glances at the large, lifeless figurines staring down from above me. I took my…
Blizzard is slightly reducing the sexual-objectification of its female characters, even if their official reasons for doing so are weak. The benefit being that the euphemism of characterisation is easier…
Following the company's superb adaptations of 'The Rabbits' and 'The Red Tree', Barking Gecko brings another children's story to the stage with 'Bambert’s Book of Lost Stories'. Gabriella Loo sheds…
Fresh off a Melbourne stage, the production opened at the Malthouse Theatre in March before venturing here. At 90 minutes (no interval), the ambiguous ending to this thriller will have…