Words with Garth Nix
A novel is usually published as YA not necessarily because of its themes or subject matter, or even the age of its protagonists, but because editorial, sales and marketing people…
Words with Marwa al-Sabouni
Whatever I feel it is definitely not excitement; it is a huge responsibility for every citizen and inhabitant of this place to even witness what it might be turned into.…
Words with L-Fresh the Lion
Cat Pagani spoke with Australian Hip Hop artist and social activist L-Fresh the Lion ahead of his performance at the Perth International Arts Festival
Review: SPAN at the Fremantle Arts Centre
This is SPAN’s strength; steering clear of didactic moralisation and encouraging communication between the viewers of the exhibition. Karl Frederick Sagrabb reviews.
REVIEW: Stuart Bowden “The Beast”
Bowden's beast is a frenetic, dancing absurdity, and the artist himself a consummate storyteller-flanuer. Nick Morlet reviews.
REVIEW: Ballet at the Quarry (WA Ballet)
The synchronised movements of the performers are particularly impressive in this piece above others as their poor timing would not have been easily concealed when thumping on a massive drum.…
Heartaches Better The Heart: Words With Artist Amandeep Singh
My sister and I sat at the edge of our bed hearing stories about the Gurus. It’d be a crime for me not to be putting that to use because…
Fringe Review: Jumping the Shark Fantastic
It's every reference you've ever heard, each performance or film you've seen or every story you've heard except - get this - turns out you’ve already seen bits of it,…
FRINGE REVIEW: Ecosexual Bathouse
I found myself listening to dirty talk on a phone and sporadicaly screaming out “FUCK CHARLES DARWIN”. Sophie Nixon reviews.
Review: Little Men
Sachs’s talent appears to be this finely attuned rendering of the details of everyday living, pressed against human desires and projections. Review by Ryan Suckling.