Words with Geoff Kelso
A life-long admirer of the Victorian era duo Gilbert and Sullivan, Kelso leapt at the opportunity to direct the upcoming production of 'Iolanthe'. Interview by Casey Andreou.
Review: Ghost the Musical
It takes a certain amount of chutzpah to adapt the smash-hit you wrote for the silver screen to the stage. However, American screenwriter Bruce Joel Rubin’s reworking of his Academy…
Review: I See Red (Spare Parts Puppet Theatre & WAAPA)
Last week, the Western Australia arts community mourned the passing of State Living Treasure, master puppeteer and one-time Artistic Director of Spare Parts Puppet Theatre Noriko Nishimoto. The Japanese theatre-maker…
Review: Beauty & the Beast (WA Ballet)
The performance gives the audience what they might expect from a well-known classic; the nostalgia of a childhood favourite and the thrill of a night out at the ballet. Melissa…
Review: Belated
The play’s triumph was its ability to create an incredible atmosphere which added another level to the already intriguing plot. Jacqueline Pasich reviews.
Review: Arj Barker – Get In My Head (Perth Comedy Festival)
Get In My Head covered everything from ponies to boners to selfie sticks and, in a fashion typical of Barker’s style, deconstructed each new topic more intricately than the last.…
Review: The Flatpack Life (UDS)
The only thing left to say is: bra jobbat och lycka till med era resterande pjäser! Leona Mpagi reviews.
Review: A View from the Bridge (WAAPA)
Skilfully delivered by WAAPA’s third year acting students, under the careful direction of Lawrie Cullen-Tait, this play is a must-see for those who love tragic storylines. Aleasha Sanchez-Lawson reviews.
Review: Year 12 Perspectives 2015
Year 12 Perspectives 2015 presents artworks eliciting fragmentary images of youthful impressions during the fragile process of growing up. Carin Chan reviews.
Review: Wil Anderson (Perth Comedy Festival)
Anderson has decided to use his platform to voice his opinion on what he believes is important, and he accomplishes this without sacrificing one laugh. Monty Lloyd reviews.