The 90s Renaissance: Disney’s Golden Age
With Disney’s recent purchase of 20th Century Fox for the eye-watering amount of $71.3 billion, it’s hard not to believe that one day our souls will belong to them too.…
The Rundown of Game of Thrones so you don’t feel Alienated when your Friends discuss the latest Episode.
“Winter is coming”. It’s the same phrase seemingly everyone has been saying for years on end, and now more than ever. Don’t these idiots know it’s only April? Seasonal confusion…
The Man Who Killed Don Quixote: REVIEW
The Man Who Killed Don Quixote feels like ten films crammed into one. Hardly surprising, considering that kooky director Terry Gilliam was making (and unmaking) this project for over twenty-five…
What’s in the Pod Ep 14: Interview Special w/ Ben Young!
This week the boys welcome a very special guest, Perth director Ben Young on their podcast! Join them as they discuss Ben’s debut feature Hounds of Love, his transition to…
Us : Review
After a smash success with his suspenseful, political comedy/thriller Get Out, it seems only fitting that comedian Jordan Peele should follow it up with a full-fledged horror movie. And his…
Super Women: Women in Film
I started writing this piece the day that I went to see Captain Marvel with my Aunt. I’m proud to say this, that it wasn’t with friends or a partner,…
Disney Animation Eras: The Outdated Racism and Female Characterisation of the 1930’s-50’s
This month, the live-action remake of Dumbo will be gracing our screens, along with two more remakes to come later this year. Disney is continuously pulling us back in with…
Destroyer (Review)
Destroyer is Karyn Kusama’s powerful gender-subversion that follows Police Detective Erin Bell as she investigates the murder of an all too-familiar victim from her past, while simultaneously fulfilling her own…
Metacinema: Go Get Lost in the Funhouse
On paper, metafiction is a simple concept, being fiction that draws attention to its artificiality and construction as a piece of fiction. At this stage the author would like to…
The Guilty: Review
The Guilty, or Den skyldige in its original Danish language, is Gustav Moller’s thrilling single-location directorial debut. Told through a series of phone-calls you hope you never have to answer,…