Review: The Drowsy Chaperone (WAAPA)
Outrageously funny, the subtle quips flow seamlessly from the slick, smooth-talking delivery. Samuel J. Cox reviews.
Interview: Rolf de Heer on Miles Davis & “Dingo” (1991)
"Yeah, he did see a final print. He sat in the back corner of the theatrette, with his jacket over his head, and gradually and gradually he peeked out from…
African Students’ Union Re-launch
The university is a microcosm of the broader world at large. The anxieties which shape our relations outside of it do not necessarily leave us within its bounds. We carry…
Class and Bodies
His hands are more wrinkled than a sultana now; he looks like a man a whole decade or two older than he is. His eyes are sunken and his cheeks…
A Fresh Start: A Tale of Two Presidents
Iran has had a tumultuous relationship with the West. It was exploited by the British in the 1920s, and then invaded by them with the Soviets in the 1940s. In…
Musings from (Relative) Sobriety
‘Hey, why aren’t you drinking tonight?’ It’s the usual story for a Saturday night- out the back of my friend’s house, lingering around the haphazardly constructed beer pong table and…
Interview: Words with Chris Isaacs
With an artistic skillset that runs the whole gamut of theatre-making, Chris Isaacs is a writer, performer, stage manager, lighting designer, puppeteer and composer. The twenty-nine-year-old local is a plot-driven…
Review: Triple 9
You know how sometimes you really want some ice cream, but you don’t want to go nuts on the sugar so you have a glass of milk instead? It’s like…
PIAF Review: The Wild Duck
Stone’s piece is poignant, exposing both the beauty of tragic theatre and the power of the representational. The Wild Duck is one of those plays that make you reflect on…
PIAF REVIEW: No Guts, No Heart, No Glory
Drawing upon interviews with real girls and co-devised with the play’s cast, the piece is an innovative, engaging and unique production. Kevin Chiat reviews.