Arts

Review: The Advisors (The Last Great Hunt)

"Particular passages were the white male performer made an alphabetised recount of racial slurs, or where a female performer attempts to put a positive spin on sexual assault, stood out as unseemly highlights." Nick Morlet reviews

Words with Mararo Wangai

Tolerance is such a politically correct kind of position to have -- you have to do so much more. Harry Peter Sanderson interviews Mararo Wangai.

Column Talk I

The Doric Column came to be seen as an unornamented and dependable figure of American sentimentality, like Atticus Finch or Abraham Lincoln. Harry Peter Sanderson writes.

REVIEW: NAKED (Papa CJ)

The vulnerability in CJ’s material about his childhood in India, to the downward spiral brought about by his divorce, could at times transcend the boundaries of age and cultural backgrounds. Sophie Minissale reviews.

Monuments and Memory

I will never take a selfie at any place that has the words “Murdered Jews” in its name, at least not in such close succession. As to the fact that other people do? Well, I’m not sure how to feel. James Brooks Reflects.

Corrective Retrospective: Junji Ito

Ito’s appeal lies in profound concepts and recurring subject matter. These foundational aspects of his work form a signature style that never fails to sew deep rooted feelings of intrigue and dread. Skye Newton writes.