The vulnerability in CJ’s material about his childhood in India, to the downward spiral brought about by his divorce, could at times transcend the boundaries of age and cultural backgrounds. Sophie Minissale reviews.
I will never take a selfie at any place that has the words “Murdered Jews” in its name, at least not in such close succession. As to the fact that other people do? Well, I’m not sure how to feel. James Brooks Reflects.
This doesn’t mean selling out, and this doesn’t mean abandoning all morals. But it does mean looking beyond the fun parts and looking at the other, equally important parts: how to promote, how to keep track of finances and turn a profit, and how to avoid legal and moral pitfalls.
Given that a film has been made him, his career, and his relationship to Australian film – I’d say reservedly comfortable. He won’t stress the point, but there’s no denying the extent to which David has dominated film culture in this country since the 1960s. Ryan Suckling interviews David Stratton.
Ito’s appeal lies in profound concepts and recurring subject matter. These foundational aspects of his work form a signature style that never fails to sew deep rooted feelings of intrigue and dread. Skye Newton writes.