For those who came just to see Cosmo’s Midnight (and there were plenty), you’d be entitled to expect some alternative renditions, at least some simple synth looping, and more professionalism. Brayden Keizer reviews.
I don’t know about you, but whenever I buy groceries I constantly worry about the possibility of a dystopian future where a single company has control over all of our fruit and vegetables. Apparently it also concerns the folks at The Cutting Room Floor, so much so that they took to Paper Mountain on William street to show Fringe-goers a wickedly dark comedy about it: ‘The War on Food’. Caz Stafford reviews.